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Music Reporter has it top 30 C & W already & Music Vender has it already in pop & C & W charts. Only a month later Patsy wrote to a friend: “They say ‘Crazy’ is a smash. That came three weeks later, on September 15, when Patsy overdubbed a pitch-perfect emotional performance in a single take. Where Willie’s demo had wobbled boozily, Bradley’s arrangement swung in a lush, sophisticated way. There was no written music for ‘Crazy.’ So Owen would come out of the control room and say, ‘Why don’t you guys try this?'”Īfter four hours, Owen Bradley and Nashville’s A Team pickers nailed the song. “In addition to Patsy’s injury,” says Harold Bradley, the Country Music Hall of Fame guitarist and Owen’s brother, “the other thing that made this session hard was that my brother would refine the track as we went along. When she came into the studio, she was on crutches. Part of Patsy’s difficulty may have been that she had been in a horrific auto accident just two months before in which she was badly banged up. Although Bradley persuaded her to try the song at his Quonset Hut studio on August 21, 1961, she could not get a handle on it during four-hour session. Yet somehow Owen Bradley heard a potential hit in that. Sometimes he was closer to reciting the lyrics than singing them. Willie’s phrasing was all over the place-sometimes ahead of the beat, sometimes behind it, stretching syllables out or biting them short. The demo (which can be heard on Willie Nelson’s Demo Sessions CD) was slow and syrupy. However, when Hank Cochran pitched “Crazy” to Owen Bradley, Cline’s producer, he was quickly sold-which just goes to show what great ears Owen Bradley had. “Crazy” must have seemed like the consolation prize. 1 hit (“I Fall to Pieces”) after six years of ups and downs in the music industry, Cline did not quickly warm to “Crazy.” She much preferred “Funny How Time Slips Away,” but Walker kept that one for himself. Then 28 years old and coming off her first No. “Not that ‘Crazy’ is real complicated it just wasn’t your basic three-chord country hillbilly song.” “I had problems immediately with my song ‘Crazy’ because it had four or five chords in it,” he recalled. “I enjoyed fooling around with the phrasing,” Willie has said, “but it made my sound noncommercial for all those Nashville ears who were listening for the same old stuff and misunderstood anything original.” Nelson also tended to write melodies that were more complex than the standard country fare. Although his talent was obvious, many in the country music business thought his style was simply too offbeat and artsy for the charts. But when he arrived in Nashville from Texas in 1960, the 27-year-old ex-DJ and bar musician was a household name only at his own kitchen table. Today Willie Nelson is universally acclaimed as both a singer and a songwriter. Cline’s hit recording swings with such velvety finesse, and her voice throbs and aches so exquisitely, that the entire production sounds absolutely effortless. How could that song not have been a hit?Ĭertainly that would seem to be the case with “Crazy,” the country standard written by Willie Nelson and recorded definitively by Patsy Cline for Decca Records in 1961.
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Fatboy Slim and the Chemical Brothers rejuvenated electronica, Shania Twain and Garth Brooks spurred a resurgence in the popularity of country music, and Jay-Z and Tupac Shakur brought new life to hip-hop.įind out if your favorite song from the 1990s made the cut in this list of 100 hits from the decade.Once a song becomes a widely recognized hit, its popularity can seem virtually inevitable. At the beginning of the '90s, Seattle birthed the grunge movement, which melded punk and hard rock, producing such influential bands as Pearl Jam and Soundgarden.Īs the decade progressed, grunge was absorbed into the larger, radio-friendly "alternative rock" genre, then gave way to aggro-rock and nu-metal bands like Limp Bizkit and Linkin Park at the end of the decade. Other artists who dominated the charts included Janet Jackson, Boyz II Men, Whitney Houston, and TLC. 1 hits than anyone else during that decade. So who were some of the biggest acts of the 1990s? Mariah Carey had more No. Boy bands and divas dominated the pop and dance charts, while East and West Coast rappers gave hip-hop a fresh sense of urgency. New acts like Nirvana changed the way people listened to rock music, while established stars like Madonna had the biggest hits of their careers. From a pop musical standpoint, the 1990s was one of the most eclectic, and the best songs of the decade still sound fresh today.